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James P. Blues In E Flat. Decca Stomp. Irving Berlin. Just a Mood, Pt. Teddy Wilson. Russian Lullaby. Please Be Kind. Says My Heart. Some Like It Hot. Seven Come Eleven. Blue Skies. Just One of Those Things. Cole Porter. Bugle Call Rag. Slipped Disc. Benny Goodman. Congo Blues. Ghost of a Chance. Track Listing - Disc 2. Slammin' the Gate. Leonard Feather. Redman was Henderson's first important arranger, and such recordings as "Copenhagen," "Shanghai Shuffle," "TNT," and "Henderson Stomp" all Columbia show off his vision of jazz orchestra styling: an interplay of brass and reeds, often in a call-and-response manner.
Composer, Henderson Stomp - Red Norvo - World Of Jazz Red Norvobandleader, and alto saxophonist. He was a child prodigy from a musical family, and learned to play most conventional instruments.
By the end of his years in high school he had already begun writing arrangements. After working professionally for about a year in Piedmont he joined Billy Paige's Broadway Syncopators, a band based in Pittsburgh.
Here he played clarinet and saxophones, and also Henderson Stomp - Red Norvo - World Of Jazz Red Norvo some arrangements. When Henderson formed an orchestra shortly afterwards Redman was one of the members; besides writing the band's arrangements he played clarinet, saxophones, and occasionally other instruments.
The addition of Louis Armstrong in —5 as jazz specialist had a deep impact on all the players and also on Redman's arrangements; the band turned increasingly from dance music to jazz, and by the mids it was the most prominent black jazz orchestra in the country. The Cotton Pickers focused less attention on its soloists than Henderson's band had done and concentrated more on Redman's arrangements, which were played with precision and control.
Redman's writing became more elaborate, especially in harmony and rhythm; his new sophistication is apparent in his outstanding arrangement of Rocky Road.
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